Featured – Los Angeles Drama Club

Shakespeare Youth Festival 2019

WHEN WORLDS COLLIDE…

March 9th through March 31st, 2019
All performances are held at the Lyric Theatre – 520 N. La Brea, Los Angeles 90036 (map)

As You Like It

Two worlds…Power-hungry Duke Frederick runs his kingdom on paranoia and mistrust – his reign is dark and oppressive. His brother, Duke Senior fled that world (to save his life), but left his daughter behind. When the two Dukes’ daughters, along with their trusty jester, escape to follow him to the Forest of Arden, it’s like they’ve landed in Oz – they discover a colorful Carnival of eccentric artists just looking to love and be loved!

Saturday, March 9 at 2 pm
Sunday, March
10 at 2 pm
Saturday, March 16 at 4:30 pm
Sunday, March 17 at 2:00 pm

RESERVE TICKETS


Cymbeline

You have probably not seen Cymbeline, and if you have, you have NEVER seen our Cracked Fairy Tale Version, complete with a two-foot high Storybook and all sorts of other surprises. Mistaken identity? Of course. Girls dressed as boys? Duh. Long lost family members reuniting? Aren’t there always? Young love torn apart by class issues? Hello?! Machiavellian tricksters? Goes without saying. Epic Battles? Um, yeah …Jupiter descending from Olympus in the last act last to lay it out? Have you met Shakespeare?!

Saturday, March 16 at 1:00 pm
Sunday, March 17 at 5:00 pm
Saturday, March 23 at 4:00 pm
Sunday, March 24 at 1:00 pm

RESERVE TICKETS


Henry IV

Henry IV (One and Two) is so much more than a History Play – it’s really a Humanity Play: a day in the life of the Haves and Have Nots, a King’s regrets from his sickbed, Good Son/Errant Son/Redeemed Son, a Father’s Cowardice, a Son’s Overcompensation, Substitute Families, the funny, bittersweet antics of Pub Life… and those Spell-Casting, Tree-Hugging Welsh…come on! Our Elder Players (age 14-17) are by now, quite excellent at this stuff, as some have been at it since age six. Come witness these young masters – for some, it will be their last performance with LADC before heading off to college.

Saturday, March 23 at 12 noon
Sunday, March 24 at 4:30 pm
Saturday, March 30 at 2:00 pm
Sunday, March 31 at 2:00 pm

RESERVE TICKETS

Shakespeare In Africa #5: Why I Won’t Correct Your Speech. Just Your Breath.

Or: How to put up a Shakespeare recital with 340 kids in Rural Botswana

This may sound like “shop talk” to outsiders, but there are things that are universal. Example: if you breathe…you might want to read on.

I tend to forget that how you breathe is how you live.

It’s been a few days of having “Miss Blaire” in class and now we are all working on our pieces: KK’s 5th Grade has Puck’s finals speech from A Midsummer Night’s Dream. Gertrude’s fourth grade class has 6 Iambic Pentameter Lines which they dramatically act out…First, Second and Third Graders have the Mirror Games, group theatre games, yoga…

Mr. Joel’s tweens are my concern — they’re immersed in a potential exam and getting to the next level — the neighborhing school. I sit in and watch Mr. Joel’s kids quietly mumble when sharing their superlative sentences. This room needed oxygen. Mr. Joel decides to call on me to make up a sentence. I throw back a curve ball:

“Can you all stand up? I would like to see how you breathe.”

I don’t know if he likes me now. But I don’t care because no one was breathing in there.

Eyes dart around. Whaaat?! I guide them in a group inhale and I watch where the air goes in their bodies. As I expected…they suck in their stomachs, raise their shoulders and puff out their chests! I suppose this is a a global thing. Especially with females. But it’s wrong.

I ask them to cross their arms over their chest and then breathe. It has no choice but to go into their bellies. I walk by each student as they breathe into their bellies and exhale. Definitely new for them.

With the new breath, I ask them to now…repeat the sentences they constructed. A noticable difference. Immediate improvement. Still no one was loud enough to be heard by the entire classroom. So I send them outside. One by one. Go outside and yell to us.

Twenty feet away, they call out their sentences after breathing into their bellies. Their voices suddenly boom. But that is only part of it. They are smiling — laughing — experiencing the power. This is how you do it!

I threaten Mr. Joel’s class: they will next speak Shakespeare — loud and clear — for a presentation at the end of the week. I give them Prospero’s speech from the Tempest to learn as a choral speech. I break it down, slowly and animated — what Prospero is saying and doing here- passing on his power, laying down his staff, as Shakespeare soon put down his pen after this play. This is about — goodbyes.

What happened inside this class in the course of my time here, really did fulfill my wildest dreams. That’s for the next installment.

                                                                        Behind me are lions you will never see.

I am now in Mma Wilson’s lively 4th grade class — this group of 30 nine year olds seem down for Tongue Twisters. We divide into Call/Response teams — and as easy as tongue twisters are to our kids, I realize the value in slowing everything down and breaking it into the most singulary components possible.

R/e/d lea/th/er!

That alone was hard. It was very hard. the “d” to “l” — it wasn’t happening. We spent a good 15 minutes just on: Red Leather. I thought how speedy we are in America. How surface-level things have gotten. How busy doing…what exactly? Here we are just deconstructing a tongue twister — spending a quarter of an hour on how to say “Red Leather” …..how were we going to get to the results:

RedLeatherYellowLeatherGreenLeatherPurpleLeather…!?

But we couldn’t get past Red Leather. The Hard Rs stopped everyone in their tracks. Try saying “purple leather” as a second language. After about 40 minutes of trial and error — suddenly —they get the hang of it — once I let go of the Hard R idea — they just flow and I figured as long as they breathe into the belly — then they can say it three times in one breath. Then four. Then five. They do!

                                                         Rrrrrr-ed. LLLLLeath….errrrrr….Wrong. 

I pointed to colors in the classroom that corresponded. What a fun way to learn what the color purple was in second language — inside a tongue twister. They want another one.

I-rish Wrist-watch. (Six times in one breath) What is an Irish Wristwatch?!

Once they learn what Ireland was, and the word wristwatch in English, they laugh so hard. “Madame, Where is an Irish wristwatch? Do you have one?” Now we jump back and forth between:

Redleatheryellowleathergreenleatherpurpleleather

to

IrishWristWatch

to

YouKnowYouNeedUniqueNewYork

to

ArticulatoryAgilityIsADesirableAbility

Mma Wilson’s class become Masters at the Tongue Twister. They learn them all and demand to perform them for the show —

                                                                           Backpacker’s Lodge View

On weekends, I was taken to a Backpackers Camp and Lodge where there is a central gathering place (the bar) and I found myself writing there when not raising eyebrows at European and South African tourists. My biggest eyebrow arch of all came when I heard an Irish man (drinking at the bar) correcting an African bartender on his pronounciation of the word “Cider” — I almost spit out my…cider? Here is the account, as it was happening:

“I am listening to an Irishman correct a local Botswani on how to say “Cider”. He is saying, it’s “Soy-Drr! Soy-Drr.” (Really, Irishman? Is it? Soy-Drr…) The bartender, whov was raised speaking English as a second language calls it “Sy-dah” in his dialect which by the way, is quite pleasing to the ear. Open vowels…open face…soft voice…I have a pretty extreme sensitivity to sound and sound currents. I could listen to Swana in my ear 24/7 and it would lilt me to a peaceful sleep. The hard R’s of this man’s Irish dialect are akin to American’s hard Rs — times ten. Never mind my preference of Sy-dah to Soy-drr….setting that aside…WHY ARE YOU CORRECTING PRONOUNCIATION AT ALL!? And would you correct a Bronx bartender for calling it Sway-duh or a Paris bartender for calling it Tschhhdeucchh? Would you? Think about it. I want to smack ye, ye little drunken goblin! Take yr Irish wristwatch and beat it…

(All right, it was my personal diary, there’s some strong opinions.) But right there I did have a revelation. I’m doing the same thing as that Irishman! In Mma Wilson’s class with the tongue twisters, I was forcing that hard R so they could be “understood” when they “go out in the global market.” Where did that come from!?

Chances are, they will not all move to America so why would I impose my understanding of how a consonant or vowel is pronounced AT ALL?! I don’t even LIKE hard R’s. This idea got in me somewhere — and was so deeply ingrained I wasn’t even aware I was allowed to question it!

                                                           My first Live Free-roaming Elephant Sighting

I return Monday to Mma Wilson’s class and we start the tongue twisters again. This time, I attempt to hear and speak in their English/Swana dialect — sounding something like this:

Reyd Lethah Yaylow Lethah Grrreeeen Lethah Puhpel Lethah

Much Bettah! Now I am mirroring what I am hearing from them — rather than “correcting” or altering the beauty of this dialect — Going foreward — message to Self —

Hear other English Language dialects and adjust accordingly — not make them adjust to yours. In another country, you’re the one with the “accent.”

The lesson goes further. Applying it to food, dress, customs, beliefs…. Are we not more enriched when we let a culture, a language…happen to us, versus imposing our “culture” — whatever that is — on our host country? Though I still am fuming over “Soy-drr” — I am concerned for the bigger picture. The flattening out of so many of our ancient cultures by globalization and homogenization and Instagramization and everything becoming Trader Joe’s….Stop!

                                                                Godfrey and I stop to help a man in distress

At lunch I am told the village will come out for the show. The PTA and maybe the Tribal Chief will come and I am scared now — will he think this is silly? They are academic here, the children must excel to be allowed in the next school. Now I have them doing yoga and speaking Shakespeare and saying Red-Lethah….

I have five more classes to tackle — totallying 350 kids — then I hear the scary news — Spring Break is coming: next week is a short week. I have three more school days to work with the entire school — then they will perform and take a long spring vacation.

I walk home passing cows and donkeys and goats and dogs before turning on antoher dirt road where the building sits that houses the Tribal Chief.

I needed his permission for this endeavor. It was time.

Next: Shakespeare in Africa #6. The Show Goes On

Thanks to our generous sponsors

LADC is proud to announce that the Jack Oakie and Victoria Horne Oakie Charitable Foundation is an official sponsor of Shakespeare Youth Festival LA. The Foundation’s generous donation makes it possible for all children to participate in this life-changing experience, and we are grateful for their generosity.

The Jack Oakie and Victoria Horne Oakie Charitable Foundation’s mission is to follow through with the late Jack Oakie’s wish, “Give the money to the kids,” by scholarships for deserving film and theater students at some of the most prestigious institutions in the country. Mrs. Oakie instructed the Trustees of the Foundation to keep her husband’s legacy alive and enhance the value of visual performing arts education. We are honored that the Foundation will be supporting our theater students – their donation will fund scholarships and financial aid for our bi-annual Shakespeare Youth Festival LA.

Both Jack Oakie and Victoria Horne Oakie were active participants in and during the famous Golden Age of Hollywood. Between them, they acted in more than 122 films over a 60-year period. Their contributions to acting and comedy can now be passed on to a new generation with the help of their Foundation scholarships.

Taming of the Shrew Churl

It’s Venus 2020 and women run the show up here. Men are welcome as long as they’re supportive and kind and don’t misbehave. When one does….it makes headlines. Catalino (aka Cat) can’t help himself: he’s wild, a disruptor and he’s angry at the imbalance of power on Venus. It’s been rough. He’s outnumbered by women, including his mother. He’s her firstborn and she must marry him off before her younger son can marry one of his many rich lady fans. Enter Petruchia, an uber-aggressive, over-caffeinated Mary Poppins, and refugee from Earth looking for an equal up here – so rare these days. The men here are not what she’s used to. But she has to play a game in order to prove she can handle him.

Presented by Los Angeles Drama Club and
the Jack Oakie and Victoria Horne Oakie Charitable Foundation

Saturday, December 8th and Sunday December 9th at 4 pm
JEWEL’S ROOM AT Catch One – 4067 Pico Blvd LA 90019

Pay-what-you-can at the door (Suggested donation: $10)
Advance reservations: $10

THE SHOW IS OVER, BUT WE INVITE YOU TO JOIN US IN MARCH FOR SHAKESPEARE YOUTH FESTIVAL LA 2019! BOX OFFICE OPENS IN FEBRUARY!

Announcing our 2018-2019 Season

We are excited to announce our 2018-2019 Shakespeare Youth Festival LA season! If you are new to Los Angeles Drama Club, then you must click here to schedule a phone interview before registering. We look forward to speaking with you.

SYFLA Fall – Taming of the Shrew Churl

What happens when Petruchia, a single-minded young woman, determined to marry well, meets Jake, otherwise known as the Shrew … er, that is, the Churl? His younger brother Bianco has all the girls in a tizzy, but thanks to the messed up social order of the land, they can’t do anything about it until Jake is married off. We’re subverted the established opinions and “schools of thought” on the already controversial “Taming of the Shrew” by reversing the genders, turning conventional concepts on their 16th century heads.
4th through 9th grade

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YOUNG PLAYWRIGHTS WORKSHOP

Our young playwrights will work at the center of a creative team of professional writers, directors and actors and will receive true professional support and a glimpse into the process of play making!  The young playwrights will hone their one-act plays over the course of the workshop, working from the initial isolation of writing to the collaborative process involved in making their script into a living, breathing play. The workshop will culminate in a script-in-hand public reading of their new plays.
7th grade and up

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SYFLA Winter/Spring – As You Like It

Evil Duke Frederick is not a nice guy. After a rigged wrestling match goes sour, Rosalind and friends escape the rigidity and nastiness of the cruel city, where they were the victims of arbitrary and unfair rules, for the Forest of Arden, where “Do Unto Others” is the law of the land, and where a cast of eccentric characters are all just trying to find someone to love. Our youngest Players will have a great challenge exploring one of Shakespeare’s most popular comedies!
2nd through 7th grade

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SYFLA Winter/Spring – Cymbeline

Whatever your favorite Shakespearean plot device may be, it probably shows up in Cymbeline! Mistaken identity? Check. Girls dressed as boys? Check. Long lost family members reuniting? Check. Young lovers torn apart by class issues? Check. Nefarious tricksters? Check. Battle scenes? Check. Gods descending from Olympus at the last minute to set things right? Yes, that, too! We can’t wait to explore all the fantastic characters in this Shakespeare Smoothie.
4th through 9th grade

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SYFLA Winter/Spring – Henry IV

Our combining of Part I and Part II, custom crafted for our teen ensemble, will not only explore King Henry IV, his renegade son and heir to the throne Hal, and Hal’s roguish friend Falstaff, but will also highlight the women in the story – Mistress Quickly, Doll Tearsheet, Lady Percy, and Lady Mortimer.
8th through 12th grade

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LADC Players in Whitley Heights

It was a gorgeous Sunday morning, and the park behind the Hollywood Heritage Museum was filled with Shakespeare. Several dozen neighborhood residents turned out for “Shakespeare in Our Park,” sponsored by the Whitley Heights Civic Association. After a rousing opening, featuring some stirring sword fighting by Master Teacher Kila Packett as Shakespeare and Brandon Nagle as Marlowe, our troupe performed selections from several Shakespeare plays, and, in between, got the audience into the act learning Shakespeare insults, theater games and even some Stage Combat moves.

We were honored to have a representative from Councilman David Ryu’s office, who presented Blaire and Julia with Certificates of Recognition from the City of Los Angeles.

Thank you to Greg Orson and Patty Dryden for making this stellar event possible!

If you are interested in Los Angeles Drama Club performing at your school, community center, festival, etc, please email us for more information!!

 

Summer with LADC 2018

Registration is now open for Summer with LADC 2018 – a fantastic way to introduce kids to Shakespeare!

Each session meets from 9 to 3, Monday through Friday, and culminates with a recital, sharing the work with parents, friends and the community.

We believe that every child who is drawn to this work should be able to participate, so we offer a variety of scholarships – click here for the application form and guidelines. Please do not hesitate to apply!

Shakespeare Youth Festival 2018

ILLSPOKEN: THE PEOPLE VS. WILLIAM SHAKESPEARE
Don’t miss the third play in LADC’s original “Spoken” trilogy, by LADC founder and artistic director Blaire Baron. Shakespeare’s villains are tired of their terrible reputations, and they decide to take action by suing their creator, Shakespeare. Join them, as they struggle to decide what is more important, reputation … or fame …

The Broadwater Second Stage – 6320 Santa Monica Blvd, LA 90038
Saturday, March 10 & March 17

8 pm
Sunday, March 11 & March 18
2 pm
RESERVE TICKETS

KING LEAR
Family loyalty, legacy and reputation are life and death matters with this affluent Hollywood family who discover just how close they are to the homeless community that surrounds their luxurious “palaces.”

The Broadwater Second Stage – 6320 Santa Monica Blvd, LA 90038
Saturday, March 10 & March 17

2 pm
Sunday, March 11 & March 18
6 pm
RESERVE TICKETS

TIMON OF ATHENS
First a philanthropist, then a bitter misanthropist. In fact, Timon’s character arc is the opposite of Dickens’ Ebenezar Scrooge. He throws decadent parties with merriment and dancing as he tosses his money to alleged friends. He ignores his accountant. And when he goes broke, he is stunned that no one is there for him. Audiences of all ages connect to Shakespeare’s rarely seen morality play on generosity and loyalty and friendship!

Fais Do Do – 5253 W. Adams Blvd, Los Angeles 90016
Saturday, February 24 & Sunday, February 25

Saturday, March 3 & Sunday, March 4
1 pm
This show has closed

 

JULIUS CAESAR
Who is the hero and who is the villain in Shakespeare’s frighteningly current Julius Caesar? Or is there someone behind the curtain? Travel back to the 60s, and the days of The Manchurian Candidate and the Cold War with us as we see that everything old is new again …

Fais Do Do – 5253 W. Adams Blvd, Los Angeles 90016
Saturday, February 24 & Sunday, February 25

Sunday, March 4
4 pm
Friday, March 2
7 pm
This show has closed

RESERVE YOUR TICKETS TODAY

Shakespeare Youth Festival Los Angeles is proud to be supported by

LADC in residency at GALA

We are thrilled to announce that Los Angeles Drama Club is now part of the After School program at Girls Academic Leadership Academy, the first all-girls school within Los Angeles Unified School District! We feel that LADC’s mission is an ideal compliment to GALA’s mission – to graduate girls with a strong, confident, and independent voice, with collaborative and compassionate leadership skills, and with a sense of self and community.

Spring Performance – MUCH ADO ABOUT NOTHING

Generally considered one of Shakespeare’s finest comedies, Much Ado mixes lots of hilarious antics with some scenery-chewing near-tragedy.  Please join us for the merriment …

Presented April 26th and 27th at 5 pm in the Corwin Theater on the LA High campus
(enter on Rimpau or West, and follow the signs)

If you are a GALA student interested in participating, please CLICK HERE.

If you would like to learn how LADC can come to your school, please CLICK HERE.

Celebrate 2017, and Support 2018!!

2017 was a banner year for Los Angeles Drama Club – just take a look at some of our accomplishments:

SHAKESPEARE YOUTH FESTIVAL LA 2017

  • More than $25,000 in financial aid awarded in 2017 meant that there were no financial barriers to a child participating in Shakespeare Youth Festival LA.
  • Children from more than 40 schools all over Los Angeles took part in our programs this year.
  • We performed three plays in repertory for our Spring 2017 season – 45 youth played 81 characters in fourteen public performances.

HELP US CONTINUE THE MAGIC

OUR AUDIENCE

  • 38% of our audience was attending their first LADC production.
  • 28% have attended more than five different productions.
  • Our audiences came from all over Los Angeles, with 44 different zip codes represented.
  • Shakespeare is for all ages – 18% of our audience was under 18. 17% was over 60.

SUPPORT SYFLA 2018

SUMMER WITH LOS ANGELES DRAMA CLUB

  • This Summer, more than 75 kids took part, from 33 zip codes.
  • 65% of the registrations received a full or partial scholarship.
  • We awarded more than $10,000 in scholarships this Summer.
  • We performed six recitals, with 21 Shakespeare scenes, 6 scenes by contemporary playwrights, 9 musical numbers, 10 short plays written by our young playwrights, and countless Shakespearean insults!

LET’S MAKE IT 100 KIDS IN 2018

THE FUTURE

  • We are currently rehearsing four plays, including one original World Premiere, to be presented for Shakespeare Youth Festival LA 2018.
  • We are in residence at Girls Academic Leadership Academy (GALA), preparing for a full production of The Tempest, to be presented in December.
  • We worked with students at Episcopal School Los Angeles (ESLA), as they began their study of Midsummer Night’s Dream, and are in discussions with four more schools to become a part of their curriculum.
  • Our Artistic Director, Blaire Baron, is preparing for a trip to Africa in the Spring, to bring our work to Botswana as a part of the Botswana School Project!

While LADC is proud to be supported by a number of government entities, foundations and community organizations, individual contributions make up the majority of our support. With your support, youth in Los Angeles (and soon, Botswana!) can continue to grow up with William Shakespeare!

LADC in residency at GALA

We are thrilled to announce that Los Angeles Drama Club is now part of the After School program at Girls Academic Leadership Academy, the first all-girls school within Los Angeles Unified School District! We feel that LADC’s mission is an ideal compliment to GALA’s mission – to graduate girls with a strong, confident, and independent voice, with collaborative and compassionate leadership skills, and with a sense of self and community.

We’ll be exploring one of Shakespeare’s most magical plays, The Tempest. A shipwreck, a mysterious island, kings, sprites, monsters, power grabs … and repentance. Performance is scheduled for Thursday, December 7th.

If you are a GALA student interested in participating, please CLICK HERE.

If you would like to learn how LADC can come to your school, please CLICK HERE.

Summer Recitals Every Friday!!

Our Summer season is in full swing, with a new recital every Friday afternoon!! Come join us as our students share their work – it’s extraordinary what our young performers accomplish in just one week!

Friday, June 30 at 2 pm
3RD ANNUAL YOUNG PLAYWRIGHTS FESTIVAL

Friday, July 14 at 2 pm
SHAKESPEARE INTENSIVE
Total immersion for our young actors (2nd through 9th grade)

Friday, July 21 at 2 pm
BEYOND SHAKESPEARE
Our middle & high school students explore other playwrights with the same passion for language as Shakespeare

Friday, July 28 at 2 pm
SHAKESPEARE AND SONG
Celebrating the music (both figurative and literal) in Shakespeare’s works

Friday, August 4 at 2 pm
SHAKESPEARE AND THE GREEKS
Join us as we explore Greek myth and philosophy, Shakespeare-style

“Unspoken: Shakespeare’s Personae in Peril” at Hollywood Fringe

Get your tickets today for Blaire Baron Larsen’s original script, which was plucked from 150 applicants for the 2017 Hollywood Fringe Festival Scholarship Award, “for its themes of social marginalization, literacy preservation, and the play’s homage to the life of a stage actor,” says the playwright. “Our multi-cultural cast ranges from actors, ages 12 to 60, and you don’t often see that range onstage.”

Featuring performances by Larsen (AKA Miss Blaire), LADC teaching artists Will Gressman and Kila Packett, and LADC student Players Nadia Trinidad and Michael Goodman, Unspoken was originally conceived for Shakespeare Youth Festival LA, Fall 2015. Also featured in this production are Keith Barber, Ida Darvish, Brian Graves, Juliette Jeffers, Rochelle Leffler, and Brandon Nagle.

The play, directed by award-winning theatre veteran Matthew Singletary, features various minor Shakespearean “characters” held inexplicably in an Actor’s Greenroom until the discovery that they could be permanently cut unless their relevance is justified at a Tribunal. “It’s a bittersweet comedy, whose noteworthy theme embraces all marginalized people and groups having to claim their right to exist in a rapidly intolerant society,” affirms Singletary.

Performances
Saturday, June 3 @ 4 pm
Friday, June 9 @ 9 pm
Sunday, June 11 @ 7 pm
Saturday, June 17 @ 5:30 pm

Tickets are $12 and available by visiting online at www.hollywoodfringe.org/projects/4559. All performances will be at the Underground Theatre 1314 Wilton Avenue, Hollywood, CA 90028.

Summer with LADC – Register!

We are happy to announce that registration is open for Summer with LADC 2017 – a fantastic way to introduce kids to Shakespeare!

Each session meets from 9 to 3, Monday through Friday, and culminates with a recital, sharing the work with parents, friends and the community.

We believe that every child who is drawn to this work should be able to participate, so we offer a variety of scholarships. Please do not hesitate to apply!

Shakespeare Youth Festival 2017 – A Season of Revenge

The Box Office is open for Shakespeare Youth Festival LA 2017: A Season of Revenge. Purchase your tickets today for Titus Andronicus, Merchant of Venice and Hamlet.

Titus Andronicus

Saturday, April 22 & 29 at 1 pm
Sunday, April 23 & 30 at 5 pm

Merchant of Venice

Saturday, April 22 & 29 at 5 pm
Sunday, April 23 & 30 at 1 pm

Hamlet

Yorick Cast:
Aidan Lapp – Hamlet
Julia Eschenasy – Gertrude
Caroline Ellis  – Polonius
Arianna Mah-Candelaria – Laertes

Hecuba Cast:
Liam Larsen – Hamlet
Milan Levy – Gertrude
Jesse Waldman  – Polonius
Hazel Sepenuk – Laertes

All Performances:
Chris Venegas – Claudius
Sonny Moskowitz – Horatio
Jalen Tennyson – Ophelia
Juliette Millar – Marcellus/First Player/Osric
Vivian Wolfson – Rosencrantz
Samara Rice – Guildenstern

Friday, May 5 at 7:30 pm – Yorick
Saturday, May 6 at 3 pm – Hecuba
Sunday, May 7 at 4 pm – Yorick

Friday, May 12 at 7:30 pm – Hecuba
Saturday, May 13 at 3 pm – Yorick
Sunday, May 14 at 4 pm – Hecuba

 

 

 

SYFLA 2017 in rehearsal

Our Players are currently hard at work rehearsing Titus Andronicus: The Musical, Merchant of Venice, and Hamlet – all will be presented in April and May.

Titus Andronicus: The Musical
Fais Do Do – 5253 W. Adams Blvd.
April 22 & 29 at 1 pm
April 23 & 30 at 5 pm

Merchant of Venice
Fais Do Do – 5253 W. Adams Blvd.
April 22 & 29 at 5 pm
April 23 & 30 at 1 pm

Hamlet
Underground Theater – 1314 N. Wilton Pl.
May 5 & 12 at 7:30 pm
May 7 & 13 at 3 pm
May 8 & 14 at 4 pm

 

LADC AT LAPL

Los Angeles Drama Club was honored to be invited to perform at three branches of Los Angeles Public Library in January.

On January 21, seven of our Players traveled with Ms. Julia & Mr. Esdras to present An Afternoon with Shakespeare at the Woodland Hills Public Library.  In addition to performances of scenes from Merry Wives of Windsor, Macbeth, Troilus & Cressida/Trojan Women, and Henry V, our audience enjoyed learning stage combat moves, theater games, iambic pentameter and, everyone’s favorite, Shakespearean insults.

On January 28, we had the honor of performing Shakespeare’s Malicious Monarchs in the beautiful Mark Taper Auditorium at the downtown Central Library. Sixteen of our Players performed as some of Shakespeare’s most frightening and diabolical rulers, and those who supported them and opposed them.

After the Central Library performance, nine of our Players continued on to the Washington-Irving Library where we capped off their Shakespeare Festival. After enjoying some Shakespeare-themed snacks, we performed to an enthusiastic and packed house, who loved being asked to insult the Players, Shakespeare Style!

To learn how you can have Los Angeles Drama Club perform for your organization, visit our Willful Minors page.